Moc děkuji za každý komentář, dělají mi ohromnou radost <3

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12. června 2012 v 16:33 | by teensmajdicka |  Móda a outfity
Tak jsem dnes pro vás nakonec vykuchtila outft, u kterého snad ortéza tolik neruší dojem trička :). Mám v něm džíny, které jste tu ještě neviděli, stejně jako svetr.
Jiný nadpis mě nenapadl, jelikož ty džíny stylově nijak jinak nepřiblížím, než že jsem zajímavé(,možná trochu v batikovanému stylu?) Kdo ví...

Džíny: J*N*Y/triko, boty: New Yortker/ svetr: Mariposa/ čelenka: :-?

Vaše teensmajdicka
 

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Komentáře

1 Lucka Lucka | 12. června 2012 v 16:42 | Reagovat

Moc ti to sluší, a žádná ortéza ti na kráse neubírá.
Ps. Fakt hezké,ajímavé kalhoty.

2 teensmajdicka teensmajdicka | E-mail | Web | 12. června 2012 v 18:16 | Reagovat

[1]: Jé díky moc!:-*

3 Tezz Tezz | 12. června 2012 v 20:08 | Reagovat

Ty kalhoty jsou boží :) a to už vůbec nemluvím o botičkách, jinak souhlasím s Lusckou :)

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[3]: díky mockrát!

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Throughout your academic career, you'll be asked to write down papers in which you compare and contrast two things: two texts, two theories, two historical figures, two scientific processes, and so on. "Classic" compare-and-contrast papers, in which you weight A and B equally, may be about two similar things that have crucial differences (two pesticides with different effects to the environment) or two similar things that have crucial differences, yet turn out to have surprising commonalities (two politicians with vastly different world views who voice unexpectedly similar perspectives on sexual harassment).
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Whereas Camus perceives ideology as secondary to the will want to address a certain historical moment of colonialism, Fanon perceives a revolutionary ideology because the impetus to reshape Algeria's history inside a direction toward independence.
Whether your paper focuses primarily on difference or similarity, you require to make the relationship somewhere between A and B clear within your thesis. This relationship is on the heart of any compare-and-contrast paper.
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In text-by-text . you discuss all of the, then all of B.
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If you should think that B extends A, you'll probably utilize a text-by-text scheme; any time you see A and B engaged in discussion, a point-by-point scheme will draw attention to the conflict. Be aware, however, that the point-by- point scheme can come off as a ping-pong game. You can still avoid this effect by grouping over a person point together, thereby cutting down over the selection of times you alternate from the to B. But no matter which organizational scheme you choose, you would like not give equal time to similarities and differences. In fact, your paper will be alot more interesting in case you get to the heart of your argument as speedily as doable. Thus, a paper on two evolutionary theorists' different interpretations of exact archaeological findings might probably have as very few as two or three sentences with the introduction on similarities and at most a paragraph or two to arrange the contrast in between the theorists' positions. The rest on the paper, whether organized text- by-text or point-by-point, will treat the two theorists' differences.
You'll be able to organize a classic compare-and-contrast paper either text-by-text or point-by-point. But in the "lens" comparison, in which you spend significantly less time with a (the lens) than on B (the focal textual content), you almost always organize text-by-text. That's considering the fact that A and B are not strictly comparable: A is merely a resource for helping you discover whether or not B's nature is actually what expectations have led you to definitely believe it is.
Linking of the and B . All argumentative papers require you to definitely link just about every point while in the argument back again to the thesis. Without these kinds of links, your reader will be unable to see how new sections logically and systematically advance your argument. Inside of a compare-and contrast, you also have to have to make links around A and B with the body of your essay if you happen to want your paper to hold together. To make these links, use transitional expressions of comparison and contrast ( similarly, moreover, likewise, relating to the contrary, conversely, over the other hand ) and contrastive vocabulary (while in the example below, Southerner/Northerner ).
As a girl raised inside of the faded glory within the Old South, amid mystical tales of magnolias and moonlight, the mother remains part of the dying era. Surrounded by hard times, racial conflict, and restricted opportunities, Julian, to the other hand . feels repelled by the provincial nature of home, and represents a new Southerner, a particular who sees his indigenous land through a condescending Northerner's eyes.
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